Domenico Ghirlandaio
Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
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Domenico Ghirlandaio Its image oil painting


Its image
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
Painting ID::  58156 		Domenico Ghirlandaio
Its image
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
   
   
     
Domenico Ghirlandaio An Old Man and His Grandson oil painting


An Old Man and His Grandson
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
Painting ID::  59052 		Domenico Ghirlandaio
An Old Man and His Grandson
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
   
   
     
Domenico Ghirlandaio Portrait of a Young Woman oil painting


Portrait of a Young Woman
Portrait of a Young Woman
Painting ID::  59053 		Domenico Ghirlandaio
Portrait of a Young Woman
Portrait of a Young Woman
   
   
     
Domenico Ghirlandaio Supposed self portrait in Adoration of the Magi oil painting


Supposed self portrait in Adoration of the Magi
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
Painting ID::  59054 		Domenico Ghirlandaio
Supposed self portrait in Adoration of the Magi
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
   
   
     
Domenico Ghirlandaio Study oil painting


Study
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
Painting ID::  62402 		Domenico Ghirlandaio
Study
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
   
   
     
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     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

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